Wednesday, February 11, 2009
I am quite happy that in the mail yesterday arrived my contributor-copy of the new issue of Sentence: a journal of prose poetics, No. 6. I am more than pleased to see another volume from Sentence, and especially one in which some of my work gets to hang out with work from poets I admire a great deal: Denise Duhamel, Noah Eli Gordan, Cara Benson (of the Journal Sous Rature, et. al., not to mention some Italian poets of note (see below).
If some of you medievalist types aren't up on the recent history of prose poetry in journals, Sentence was started by Brian Clements et. al. (editors include Maxine Chernoff) to pick up the work of the journal The Prose Poem: An International Journal when it went defunct (1992-2000--now being archived online). The journal thus takes a certain stance on form about which I want to reserve a great deal of ambivalence'[prose poem' (even though I ostensibly write them) as term: what work does it do and why do we want to do this work? Why not recognize a more ambitious poetics in which prose like that of Derrida might be read as a poem--is this something to do with attempting to achieve status of 'the literary' as that which in the 18th and 19th century emerges as fiction/verse that does not fit into genre-categories?]. But, this ambivalence at least means that whatever they are doing with this journal is something to admire a great deal, if the title alone can do this kind of work. As a title, Sentence is perhaps even more interesting (see my post from a few days ago). I like this journal.
Anyways, the book is a handsome volume, with interesting physical features: perfect-bound 5-3/8" X 7-1/4", 299 pages + front and back matter, small but readable point size for the text of the poems (which is a serif font that contrasts in a nice and even sexy sort of way with the large sans-serif titles, numbering, and footers).
Each issue of this journal contains a feature, lately focused on the state of the prose poem in languages other than English (in translation, of course). For no. 6, its Italian. The volume contains poems, essays, and "a feature on The Prose Poem in Italy, introduced by Luigi Ballerini and curated by Ballerini with Gian Lombardo. It includes work by Mariano Baino (translated by Lombardo), Maurizio Cucchi (translated by Amy-Louise Pfeffer), Angelo Lumelli (translated by Maria Esposito Frank), Giampiero Neri (translated by Stephen Sartarelli), Tiziano Rossi (translated by Olivia E. Sears), and Leonardo Sinisgalli (translated by Brendan Hennessey."
Monday, February 9, 2009
Writes Greg Bluestein of the AP:And:
State Rep. Charlice Byrd, R-Woodstock, took the House well on Friday to announce a "grassroots" effort to oust professors with expertise in subjects like male prostitution, oral sex, and "queer theory.""This is not considered higher education," Byrd said
"Our Job is to educate people in sciences, business, math," said Hill, a vice chairman the budget-writing House Appropriations Committee. He said professors aren't going to meet those needs "by teaching a class in queer theory."
Usually, I don't engage with this sort of thing. But I cannot help but point out that the Representative's arguments (which academics and opposing lawmakers retort with arguments that the argument is flawed, or that the university hires professors who investigate 'human experience') totally omit the humanities from what should ostensibly be a university curriculum. Now, you would think that the GOP would want history, so they could teach students about all kinds of great propaganda points in so-called Amerc. history, about the grandeur of Rome as it moved from republic to empire, etc. But no, they simply omit the humanities. Queer theory, which the reporter even must put in brackets, is apparently so toxic to the state that if "History" or "English" or even "Religion" might harbor or shelter this little terrorist, we will have to root them out as well, no matter how conservative these disciplines might be.
This brings up something I thought about quite a lot for a good while, in light of the Bersani-style gays should never be good citizens line from Homos against the Dinshaw-esque desire to save or produce or claim some kind of positive community. Lately I tend to think these things aren't mutually exclusive for a number of reasons. Derrida's "Pharmakon" essay is famous for reminding us that our task in the humanities, as it regards writing and studying writing, will not make us good citizens. In Specters of Marx Derrida reminds us that to listen to ghosts is not to live 'better' but 'more justly,' leading me to believe that living more justly does not always mean being a good citizen.
Queer Theory (without the quotes) may yet still have some of its threatening potential some would say passed away sometime in the 90's. Queer Theory may be one of those things that is not better, but more just. Toxic to the state, dead set on bringing down civilization in a kind of Benjaminian anarchic impulse, but opening up community all the while. I applaud the fact that this sort of offense and ignorant legislative attempts are being covered my a journalist.
Thanks to Karl Steel for the link to this story.
Saturday, February 7, 2009
What she petitioned for was never
instead of something else
--Levertov, "The Showings: Lady Julian of Norwich"
Last night was dinner and drinks and desert and drinks:
with some of my most favorite people ever, Eileen Joy, Jeffrey Cohen, Liza Blake, Mary Kate Hurley, Meagan Manas, Nicola Masciandaro, Heather Masciandaro, Myra Seaman. Cheap and fantastic indian food (coconut samosa, champagne, beers, strange orange 'custard' with literally no flavor at all), the telephone bar, then closing down the only place around where we could find a quiet table to actually enjoy everyone's company. And, that is exactly what the evening then became about--but of course in a way particular to that variety of citizen we call the academic. That is to say, Jeffrey Cohen started asking serious questions.
And, in the way of academics, everyone had something to say or to ask, or both. I am still reveling in the loveliness of the conversation (instead of reading the 'katherine-group' "Life of St. Margaret), and how damn happy I am that such people are out there and that sometimes they gather. One of the upshots of the conversation pertained specifically to the BABEL working group, and how to keep a community going--how to want to and insist on perpetuating a community--maintaining it across time and into the future while the community remains one because of a strange double belief in the Now and yet the importance of the Past simply for what it was (and yes, I will admit, thanks to MK Hurley that sometimes, sometimes, there is an obligation to undertake the task of 'description' for this very same reason)--maintaining this collective of individuals who are asking constantly what the hell they are doing, together. Particularly, what is ringing in my ears from this conversation is the sense of demanding that we do whatever we do as in and for the world. So the question, in some sense, is how to remain a worldly community. Another thought I had as a result of these conversations that seems to be sticking with me brings out the not-so-closet Derridean in my thought: a tension that arises in such communities between, on one side provisionality and ephemerality, and on the other unconditionality and perpetual memory/absolute hope. One wants everything to be provisional--to be ready to revolutionize at any moment in order to welcome whatever-is-coming in the unbelievable risk of hospitality. One is obliged, even in such provisionality--or with provisionality as one's means, to remain devoted to the un-conditionality of the community, the risk of its openness. Without this, there is no hope of (to be anti-Eleatic) movement, repetition--the movement of the past into the future as the very hope of the new, or the re-newed (I've been reading Kierkegaard--my apologies); no other-as-absolute-other to welcome and make the community worth it (even if it means risking, as Derrida would say, evil). It actually occurs to me then that this is a very old question--at least as old as the 'presocratics': a question of change and movement. The question will called a naive one, but to no avail: I will keep asking it [convinced that--though we may experience it all as just an economy of the Same--we can should and even must hope, must remember and repeat and not just in terms of a recollection of what is know from 'time immemorial.' We cannot learn or form communities of learning around learning when learning means the putting into place of the Same, the recollection of what our 'eternal souls' have known before this incarnation (à la late Socratic dialogues on the eternal nature of the soul). We think we are above this, but whenever our community is about putting the right ideas in the right place, we make a mistake the west has made since the ancients--putting ideas above the world, forgetting the infinite finitude shared by ideas, by communities, just as much as our human selves--or, for that matter, rocks and stones]. We can only form communities as a thing of the world, in the world, for the world, of the material of the world and of learning as a learning which occurs contingently, ephemerally, in the World as an event of the world that also makes the world (where only on that condition (its finitude) does it touch infinity).
So, I'll ask the question, obstuse as it is, that I am leading up to as a question for this community: How is change or movement possible?
Below then, are a few little notes or sketches, aphoristic and incomplete--things I am by no means devoted to and may not believe, but am experimenting with--emerging around this topic of community. And not just any community--this one, this weird community of medievalists, one of whom a few days ago even told a hotel bartender with a straight face that a handful from this community were from the middle ages.. So, these are not even my ideas--not ideas at all. They are of some infinite corner of the world that is emerging between us, dear reader.
A few notes towards a non-ossifying 'scholarly' community:
Unconditional community to shelter provisional work. But two kinds of provisional work: 1. Work which consistently withholds itself, gathering in silence before speech, speech itself. This work is provisional to the extent that it is always--even and most especially in the moments of its speech--enunciated by an elegant uncertainty that it all too often mis-recognizes as timidity. It thinks it withholds speech, in timidity and silence because it can't figure out what it is it wants to say, is too provisional; but in its finest moments such work is not withholding but gathering. This is the sense of the words of Heidegger's "Japanese interlocutor in the 'Dialogue on Language": "
J: Koto, the happening of the lightening message of the graciousness that brings forth.
I:[Heid.] Koto would be the happening holding sway...
J:...holding sway over that which needs the shelter of all that flourishes and flowers.
I: Then, as the name for language, what does Koto ba say?
J: Language, heard through this word, is: the petals that stem from Koto.
I: That is a wonderous words, and therefore inexhautstible. (Heidegger, On the Way to Language , 47).
Even when its speaks, it speaks briefly, clearly, not obnoxiously as if it had earned the right to speak loudly and annoyingly simply by having kept silent. I knows keeping silent is absolutely beyond value, acquires no capital or mandate to be heard once the silence is released as speech that is in turn always provisional. This sort of provisional work, when it speaks, says in such a way that is gathers even in its most timid of sayings, resounding long after--even if in its provisionality it is shortly thereafter retracted. This resounding repeats (not mimicking) as an affective gravitational movement on the level of history which moves forward in time a gathering in the sphere of its hearers, thus a provisionality which in saying is faithful to a community with a kind of unconditional gathering and opening of the community as a saying that is a gathering. This kind of work and its saying is one possible saying then which, in its provisionality, works constantly to forestal the closure of a scholarly community, but without the sort of fear that drives ritual efforts of prevention which, rather than preventing closure and ossification, inevitably grant it a priori, as belonging to their very structure. This is the way of saying that belongs to a particular friend of mine.
2. Work which is constantly speaking, making sayings and statements. This works is always provisional, knows itself to be so. It is ready to betray itself and anything its said at any moment, yet performs its statements as if with absolute certainty, as if to anything it must suspend provisionality and pretend, because otherwise it would say nothing. Such work risks closing any community simply by producing a boundary, a line inside which there are those who have the pre-understanding that these statements are performative, that the work knows itself to be provisional even as it speaks with certainty to such an extreme that it could not dream of taking itself so seriously. To open a community it must leave hints about such saying. If it can do this, it can take constant aim at all the urgent and unpredictable crises that threaten to close a community and, turning on a dime, say something about them. Such saying knows that there is infinite meaning, but operates its faith in such possibility by constantly suspending the serious, as if a student of Erasmus' "In Praise of Folly." It in fact changes constantly its work and the basis of the work--but the nature of the work which gathers such constant saying is a work that works in a shelter of silence given cover by the constant saying--could only risk certain questions which are so improbable and naive if it pretends just for a moment that something might happen (something that matters) and that if it can pretend that this question is the World for the moment--because it knows that the World is what matters infinitely, but that certain questions which matter to the world can only be posed if it pretends, in a pose and just for a moment, that that nothing matters or is serious. The trick is for this work to operate in a spirit of generosity and not a gnostic encoding of secret knowledge only for the initiate--for the pose to provoke but not convince--to be always utterly unbelievable. Again, such aversion to the content of a specific belief moves towards a motion of faith, in which the constant enacting of possibilities consists in the repetition of the community as different, moving into a future.
Faith from nothing vs. belief in something. Start with nothing rather than the something, that assumption that something is there. Not anything to come, just what's here. Worldliness, as in, it matters now. There is no other world, or there is another world, this one. Faith in the movements of so many individual wills that move diversely together in one place that is disseminated, occasionally gathered. This rather than gathering around a belief. Allow the gathering, the being-part-of the gathering as a repetition of the infinite meaning of This World. Absolutely no divinity in this world or any other as the condition of such gathering as the event one might once have called divinity, as the repetition of the infinite meaning of this world. Gathering by and around nothing except the infinite becomings that are the gathering.
Against the sentence: against the pronouncement that ends; sober reasoning well-balanced and organized so as to convince--to deceive; progression of subjectification in which its readers and hearers are deceived into thinking that a period celebrates the completion of a metaphysical movement in which language dominates reality; logo constantly beating down world or trapping its subjects within itself so they cannot access world; the pronouncement of a law which coincides of the originary violence of language itself in forcing something into its proper hierarchized place within the regimes of the Same and recollection; punishment of those who cannot or refuse to know; pronouncement of law which coincides with the violence of ideas that control;
Death is always overdetermined. There are always so many reasons for an event of dying. But the dead one itself is the one not that threatens to ossify the community, but whose memory, if lost, can do just this. What can we not imagine?
From Cole Swenson's "The Invention of the Mirror":
The New World
or an obsidian strain.
They had others made of Inca stone
said by Illoa to have been
blue and crossed by veins
that take no polish, that break
in sequence or pyrite
sometimes called the stone of health
worn in a ring
so that with a single downward glance you can be
if in pieces
we are accurate
here the we accrues. (37)